Abstract
In The Society's Journal of 1944, G. C. Dunning F.S.A. published a brief article, with a map, entitled ‘The distribution of black Tournai Fonts’. There has been no other view published since that occasion (at least not in Britain) and indeed J. R. Blatchly and Birkin Haward (1983), writing some forty years later on the font in St Peter's church, Ipswich, reproduced Dunning's map. The body of knowledge of Tournai fonts has advanced considerably since the war and this article offers a more up to date picture. As discoveries of fragments of fonts continue to be made, it does not claim to be exhaustive, though it is most unlikely that there are any more complete bowls to be found (see map fig. 1). In fact further research may show that the list published here may need to be reduced by three or four examples, which are discussed below.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.