Abstract
John Greaney's The Distance of Irish Modernism: Memory, Narrative, Representation explores a point of tension in Irish Studies between modernist aesthetics and postcolonial historiography. Challenging the theoretical paradigms prevalent in contemporary Irish Studies, the book invites us to interrogate the meta-historical and political narratives that inform our reading of literary works by Samuel Beckett, Flann O’Brien, Elizabeth Bowen, John McGahern, and Kate O’Brien.
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Schedule a callMore From: The Parish Review: Journal of Flann O'Brien Studies
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