Abstract
Zhang Guixing's recent work “Wild Boars Cross the River” contains not only a disenchantment narrative from individuals to nationalities and even species, but also a re-enchantment narrative constructed from three major symbols: monsters, masks, and opium. The novel performs a spectacular killing writing in the historical narrative, and its “disease of killing” overflows the historical period and penetrates into the current era. This article uses Max Weber's concept of “disenchantment” arising from his discussion of modernity and the resulting concept of “re-enchantment” as a benchmark to discuss the phenomena of “disenchantment” and “re-enchantment” in “The Wild Boars Cross the River”. And discuss how, with the balance between the two mentioned above, the novelist directly expresses the nihilistic spirit of the times through the writing of killings in historical narratives.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
