The discovery of similarity between Martin Heidegger and Wen Xin Diao Long in appearance and disappearance—Research on the intersection of Chinese and Western aesthetics and its causes

Abstract

In order to examine the similarities and differences between the classical views of Chinese and Western aesthetics, it is the first time to discover and prove that Martin Heidegger's appearance and disappearance and the hidden-show theory ofWen Xin Diao Longare apart from their differences, their literary aesthetics, aesthetic methods and philosophical thinking There are many commonalities that transcend epistemology; through comparison, induction, and comprehensive discovery: Absence, transcendence and righteousness are extra-literal, extra-literal emphasis, and the connotations of concealment, concealment, and concealment are similar, and they all emphasize concealment. No, there is the characteristic of connecting with the source; poetic show and clear are connected with the finiteness of life to praise.There is a mixture of things, the infinite way of heaven, the foundation of nothingness, etc., and the truth must interact with the truth in the concealment-clear, and the difficult and progressive similarities... It can also be proved that both are affected by Taoism and have ontological characteristics. Prove that ancient Chinese culture or the hometown of ontology; Sino-Western cultural dialogue has realistic possibilities.Based on the unifying and abstract elements of the two, a philosophical strategy of explicit-implicit duality isomorphism was created, which can be applied to the humanities such as literature and art, aesthetics, and society and nature for verification.