Abstract
AbstractThis essay-review examines three recent works in the study of Chicanx literature, Robert Con Davis-Undiano’s Mestizos Come Home!: Making and Claiming Mexican American Identity (2017), Karen Roybal’s Archives of Dispossession: Recovering the Testimonios of Mexican American Herederas, 1848–1960 (2017), and María Josefina Saldaña-Portillo’s Indian Given: Racial Geographies across Mexico and the United States (2016). López is primarily concerned with how the books position themselves in relation to broader discussions around latinidad. She structures her investigation around three main axes: racial discourse, intersections of politics and form, and periodization in literary studies. The books, she argues, trace an aesthetic and political trajectory leading from concerns over representation and canon formation to wholesale interrogations of genre and political action. López reads this trajectory in the context of theoretical developments in Critical Ethnic studies that privilege difference over diversity.
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