Abstract
The article addresses some of the characteristics linked to the significance of "what is Cuban" in the visual arts, as part of the aesthetic problems and the existence of a Cuban art that has been a subject widely discussed. From these keys we recognize the figure of Carlos Enríquez to characterize his personality and work from a vision of his criollismo as part of the Cuban nationality and identity, and the dynamics of some of these elements to be taken into account in a didactics by arts professionals in defense of cultural identity.
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