The Dickens Checklist

Abstract

The Dickens Checklist Dominic Rainsford (bio) The Dickens Checklist, recording new publications, doctoral dissertations, and online ressources of significance for Dickens studies, appears in each issue of the journal. A cumulative edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at dickenssociety.org, and will be updated once a year. Secondary Sources: Biography and Criticism Baynes, Tom. "Three New Sources for 'Locksley Hall': Goethe, Byron, and Dickens." Notes & Queries, vol. 68, no. 3, Sept. 2021, pp. 299–301. [OT] Boehmer, Elleke, and Dominic Davies. "Empire: The Nineteenth-Century Global Novel in English." Globalization and Literary Studies, edited by Joel Evans, Cambridge UP, 2022, pp. 80–94. [DS] Cambridge, Nicholas. Bleak Health: The Medical History of Charles Dickens and His Family. Edward Everett Root Publishers, 2022. Cook, Susan E. "Hidden Mothers: Forms of Absence in Victorian Photography and Fiction." Nineteenth-Century Gender Studies, vol. 17, no. 3, Winter 2021, www.ncgsjournal.com/issue173/cook.html. [BH] Dickens Quarterly, vol. 39, no. 2, June 2022. [Edin Plevljaković, "Charles Dickens's International Copyright Advocacy and Its Indirect Reflection in Martin Chuzzlewit," pp. 121–37; Lee Jackson, "Dickens and the Historical Imagination," pp. 138–58; Mizuki Tsutsui, "The Morality of Fiction-Making in Our Mutual Friend," pp. 159–75; William F. Long, "'Particulars as to the Proposed Interment of Charles Dickens at Rochester,'" pp. 176–99; Catherine Waters, "'An Evening with Charles Dickens' on the Nineteenth-Century Lecture Circuit," pp. 200–14; Winter Jade Werner, review of Dickens and the Bible: "What Providence Meant," by Jennifer Gribble, pp. 215–17; Dominic Rainsford, review of The Artful Dickens: Tricks and Ploys of the Great Novelist, by John Mullan, pp. 218–22; Iain Crawford, review of Extraction Ecologies and the Literature of the Long Exhaustion, by Elizabeth Carolyn Miller, pp. 222–26; Valerie Purton, review of The Aesthetics of Space in Nineteenth-Century British Literature, by Giles Whiteley, pp. 226–29; Dominic Rainsford, "The Dickens Checklist," pp. 232–35] Dickens Studies Annual, vol. 53, no. 1, 2022. [The Editors, Introduction, pp. v-viii; John Gordon, "Troilism, David Copperfield, and the Problem of Eve Kosofsky Sedgwick," pp. 1-19; Sharon Murphy, "'[A] hungry, ragged, and forsaken little boy': The Significance of the Street Arab(s) in The Moonstone and The Sign of Four," pp. 20-41; Mark M. Hennelly Jr., "Through the Looking-Glass: 'Full of All Manner of Curious Things,'" pp. 42-69; Lydia Craig, "An Overview of Digital Resources for the Study of Victorian Fiction," pp. 70-87; Leslie S. Simon, "Recent Dickens Studies: 2020," pp. 88-175; Edward Guiliano, Anne Humphreys, and Natalie McKnight, "Ways of Seeing Dickens Studies Annual: Essays on Victorian Fiction, Volumes 1–52," pp. 176-238.] The Dickensian, vol. 118, part 1, no. 516, Spring 2022. [Emily Bell, "From the Editor," pp. 3–4; Maria Ioannou, "'[M]ore letters to write … than the Home Secretary': The Relationship Between Dickens's Letters and the Writing of His Characters in Bleak House and Great Expectations," pp. 6–21; Colin Flight, "The Mystery of 'Edwin Drood': An Architectural Clue," pp. 22–27; William F. Long, "Mr Dickens Encloses a Trifle: Early Acts of Benevolence," pp. 28–39; Takashi Yoshinaka, "A Note on the Ambiguity of 'Out' in Great Expectations," pp. 40–42; Robert Butterworth, "'The Hymn of the Wiltshire Labourers' and Its Contexts," pp. 43–56; Paul Schlicke, "Dickens in My Life," pp. 57–60; Malcolm Andrews, Letter to the Editor [re the Pickwick Club], pp. 61–62; Catherine Quirk, review of Victorians on Broadway: Literature, Adaptation, and the Modern American Musical, by Sharon Aronofsky Weltman, pp. 64–66; Rick Allen, review of The Urban Fantastic in Nineteenth-Century European Literature: City Fissures, by Patricia Garcia, pp. 67–69; Valerie Tosi, review of Settler Colonialism in Victorian Literature: Economics and Political Identity in the Networks of Empire, by Philip Steer, pp. 70–72; Katie Holdway, review of Picturing Pickwick: The Art of The Pickwick Papers, exhibition at the Charles Dickens Museum, pp. 74–76; Lydia Craig, review of Mr Dickens is Coming!, performance by Gerald Dickens, pp. 77–79; Nigel Rodenhurst, review of The Tender Bar, film directed by George Clooney, pp. 80–81; James Hamby...