Abstract
t *o oo~ HE opposition between Realism and Anti-ReS? alism in modern theater has received wide critical attention, as has the resulting conflict be* tween Realism and poetry.' Despite the tenacity z a of this polarization, numerous playwrights-in* cIt luding John Synge, W. B. Yeats, T. S. Eliot, Paul Claudel, Jean Cocteau, Jean Giraudoux, and, in Spain, Eduardo Marquina, Francisco Villaespesa, Ram6n del ValleInclin, Miguel de Unamuno, and Antonio and Manuel Machado-
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