Abstract
Abstract Among the early ‘novels’ of the Mexican Revolution, the only one written by a woman was Cartucho, published in 1931. From that date to the present, Nellie Campobello’s contribution to this genre has not received the attention it deserves nor has she been adequately recognized as the precursor of more wellknown writers like Elena Garro, Rosario Castellanos, and Elena Poniatowska. This neglect may well be related to the impact Cartucho had when it was published and the nature of its idiosyncratic narrative style which few studies have examined in depth.
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