Abstract
Devil Himself: An Introduction by Stacy Gillis Vicarious Villainy and the Burden of Narrative Guilt by Jan-Melissa Schramm Why Does Hortense Walk Barefoot Through the Grass?: Ambivalent Hierarchies of Intimacy in Bleak House by Janet Levison From Foreign Perculiarities to Fatal Resemblance: Detecting Villainy in Women in White by Natalka Freeland Female Moriarty: Arch-Villainess in Victorian Popular Fiction by Chris Willis Philanthropies, Villainies and The Speckled Band: Conflict of the Imperial and the Anti-Imperial in Arthur Conan Doyle's Story and Play by Catherine Wynne Political Appeal of Fu Manchu by Peter Christensen Case Closed: Scapegoating in British Women's Wartime Detective Fiction by Kristine Miller Shadows and Doubts: Hitchcock, Genre and Villainy by Rowland Hughes Why Don't They Just Shoot Him?: Bond Villains and Cold War Heroism by Deborah Banner Gothic Villainy: P.D. James and the Horror of Modernity/Ruth Rendell and the Utopian Sublime by Susan Rowland Villainy and the Life of the Mind in Sayers and Byatt by Helen Taylor Alone and Vulnerable in the Terrible Dream: Contagion and Technology in the Early Scarpetta Novels by Gerard Collins Devil Herself? Fantasy, Female Identity, and the Villainess Fatale in Margaret Atwood's Robber Bride by Ann Heilmann Getting Away with It: Villainy in Usual Suspects and Se7en by Philippa Gates Whoever Fights Monsters: Serial Killers, the FBI and America's Last Frontier by Linnie Blake
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