Abstract

AbstractThis article examines the rewriting of Ovid's version of the Deukalion and Pyrrha myth by Paul Celan and Christoph Ransmayr. The myth relates how Jupiter destroys the world by deluge and how Deukalion and Pyrrha repopulate the earth. This myth of destruction and renewal finds resonance in the poetry of Celan and the novel Die letzte Welt by Ransmayr, one at the start of the literature of the post‐war years, the other closing the second half of the century. In the case of Celan, this article highlights a connection to the classical tradition little noticed in the critical literature. In turn, it also helps lift a corner of the veil on some of his enigmatic poetry. Ransmayr's version of the myth is embedded in his rewriting of Ovid's Metamorphoses. The analysis of that version also elucidates the sparse reference to the Holocaust in the novel. There are similar metaphoric responses to the myth in both contemporary writers. Furthermore, the critical response to both writers reflects the tumultuous relationship of German‐language literature and history since 1945.

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