Abstract

This article tells a story of the aftermath of the ‘failed revolution’ in Egypt through the prism of sound and gendered political prisoner bodies. It created embodied reactions among Cairene men—years after their lived prison experiences—in which depression, sorrow, stress, paranoia, rage, or painful body memories are prevalent. Affect theory shows how sonic vibrations—important stimuli within everyday experience, with a unique power to induce strong affective states—mediate consciousness, including heightened states of attention and anxiety. Sound, or the lack thereof, stimulates, disorients, transforms, and controls. The sound of life is transformed into the sound of death; the desire to disappear in order not to disappear again produces ‘ghost bodies’ alienated from the ‘new Egypt’, but from the family and the self too.

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