Abstract
W • t . a t is the role of demand in the definition of public policies for he performing arts? Empirical research on consumers' behavior and the efficiency of public expenditure in the performing arts is likely to expand in Italy in the near future as an effort to find answers to the above question. The work we present here, where we try to model and estimate a demand function for live performing arts (1), has to be understood as one of these first attempts.
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