The Dark Side of “The Nose”: The Paradigms of Olfactory Perception in Gogol'’s “The Nose”

Abstract

The article focuses on the ways in which Nikolai Gogol'’s famous story “The Nose” can be viewed meaningfully after being designated as the token of nonsense and illogicality by representatives of structuralism and hermeneutics in Slavic studies. Instead of interpreting the story’s symbolic significance or establishing its connections to other texts, the present article examines the story literally and asks what it means to lose one’s olfactory capacity in the Russian capital in the first third of the nineteenth century. The article’s answer is that Gogol'’s story can be seen as marking the moment during which the traditional olfactory-rich values of Russian culture gave way to a more vision-oriented Western sensory paradigm that tended to denigrate the sense of smell and its cognitive potential.