Abstract

1 New York Times, 12 Sept. 2001, p. A26, cited in Joanne Meyerowitz, 'History and September 11: an Introduction', Journal of American History 89: 2, September 2002, p. 413. The articles in this collection are also available as History and September 11th, ed. Joanne Meyerowitz, Philadelphia, 2003. 2 For insights into how the periodizations common to European history intersect with non-Western histories see, in addition to Adam McKeown's contribution below: Craig Clunas, 'Modernity Global and Local: Consumption and the Rise of the West', American Historical Review 104: 5, December 1999, pp. 1,497-1,511; Sebastian Conrad, 'What time is Japan? Problems of Comparative (Intercultural) Historiography', History and Theory 38: 1, February 1999, pp. 67-83; Thomas Keirstead, 'Inventing Medieval Japan: the History and Politics of National Identity', Medieval History Journal 1: 1, 1998: pp. 47-71; and the contributions to 'Forum: Periodization in World History', American Historical Review 101: 3, June 1996, pp. 748-82. These questions are further addressed by Geoff Eley's article on 'Periodizing the Global', in History Workshop Journal 63 above. 3 Nick Cullather, 'Damming Afghanistan: Modernization in a Buffer State', Journal of American History 89: 2, September 2002, pp. 512-37. 4 James C. Scott, Seeing like a State: How Certain Schemes to Improve the Human Condition have Failed, New Haven, 1998. 5 Charles Baudelaire, 'The Painter of Modern Life', in his The Painter of Modern Life and other Essays, transl. and ed. Jonathan Mayne, New York, 1964, p. 13.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.