Abstract
The aim of investigation: is the role of dance as social coagulation and background for intense feelings, in connection with the new branch of neuroscience. The method of research: is a comparative one, choosing writer from different cultural spaces and epochs: Gustave Flaubert, Henrik Ibsen, Nikos Kazantzakis, Liviu Rebreanu, L. N. Tolstoi. Conclusion: neurosciences analyze the intersection of corporal contact with the control of movements, learning by imitation, emotional expression and the psycho-dynamic of subliminal. The article analyzes the function of emotional communication by dance, with reference to Dionysian manifestation of art, and to neuroscience. The authors and the works to which it refers are: Madame Bovary by Gustave Flaubert, A doll’s House by Henrik Ibsen, Anna Karenina by L. N. Tolstoy, Ciuleandra by Liviu Rebreanu and Zorba the Greek by Nikos Kazantzakis - three female characters and two male character. Their common element it is the feeling of an internal liberation and the communication of an erotic tension, the fusion with the person you love and with the universe
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