Abstract

Dr Ken Aigen’s new book is a welcome and important addition to the scholarly music therapy (MT) literature. It presents, discusses, and synthesizes topics that are rarely found in books or articles – a fine quality in itself. Aigen’s ambition is to introduce MT theory and its development in the last 50 years to readers from many disciplines. He discusses and reflects on important positions, models, and orientations in contemporary MT theory.In this essay, major themes and ideas in the book are presented, discussed, and at times challenged from a European/Scandinavian perspective.

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