The Cultural Life of Democracy: Notes on Popular Sovereignty, Culture and Arts in Sri Lanka’s Aragalaya

Abstract

This paper explores the emergence of a demotic style of politics alongside demotic forms of cultural and esthetic expression during Sri Lanka’s 2022 political struggle dubbed the aragalaya (struggle). It argues that the aragalaya opened up a discursive space to reimagine democratic politics in Sri Lanka and the role of aesthetics and culture in such popular-democratic political mobilization. However, the paper also argues that such popular political mobilization and its attendant cultural expression needs to be considered cautiously because its potential is politically and culturally ambiguous. By tracing a critical genealogy of the notion of the “people” in Sri Lankan political history and extending this genealogy to how the “people” was reimagined as an agential collective during the aragalaya and by looking at aesthetic and cultural practices that were foregrounded during the aragalaya—particularly the music of Ajith Kumarasiri—the paper argues that the demotic understanding of the people and the demotic cultural forms that gained prominence within the aragalaya offer a counterpoint to the deeply corrupt and exclusionary mainstream political culture of the country. A central concept used to frame this argument is the analytical and methodological heuristic of the “cultural life of democracy.”