Abstract

Este artigo explora o relacionamento entre a economia da transmissão de arte pela TV e o papel cultural da televisão de arte na Grã-Bretanha contemporânea. Ele apresenta parte de um estudo empírico mais abrangente a respeito da economia cultural de televisão de arte, conduzido pela autora em Londres. Aqui, ‘televisão de arte’ é usado como um termo guarda-chuva, que abarca canais televisivos de arte, tais como Artsworld (principal caso estudado neste artigo) e BBC FOUR. O artigo examina o lugar da televisão de arte numa emergente cultura midiática de privatização e digitalização e discute o que isto significa para a subsistência da televisão de arte na Grã Bretanha. Ele avalia a produção do canal Artsworld dentro de uma indústria midiática dirigida ao mercado, e, ao fazer isso, aborda o relacionamento conflitante entre sucesso comercial e sucesso cultural da televisão de arte. A metodologia inclui pesquisa qualitativa, em termos de análises de discursos acadêmicos, documentos oficiais, teorias da mídia de massa e entrevistas pessoais com exibidores televisivos de arte e diretores de canais de televisão.

Highlights

  • This article explores the relationship between the economics of arts broadcasting and cultural role of arts television in contemporary Britain

  • Besides arts programming expands and contracts according to the state of economy: it is susceptible to any decline in television reverences (Walker, 1993)

  • The present economic recession in media market has direct influence on arts television and as a result the arts budgets are often slashed down The subscription based Artsworld is challenged commercially and culturally to broadcast arts programmes without any subscription fee since BBC FOUR is free to those who embrace digital television package

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Summary

ARTS TV

Arts programmes on television are popular many argue that arts television is an unsuccessful phenomenon in television industry (Dodd, 2002). Certain televisual arts programmes have succeeded in attaining higher percentage of audiences as compared to live arts attendances in Britain.

Orchestral Music
PSB CABLE SATELLITE DIGITAL
Video recorder
The problem of arts television
Additional means of support
Role of autonomous funding bodies
Conclusion
Findings
Internet sources

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