The cultural apparatus: C. Wright Mitts’ unfinished work

Abstract

Mills wrote to his Oxford publisher in 1955. “One book grows out of another; the trouble is not only is there no end to it, but after the second is pressing upon you before you can finish the first, for planning is more fun than working.” 78 Indeed, this mode of working was common to all of Mills’ projects. He worked fast and furiously and always juggled a number of different ideas in various stages of formation. This certainly was the case with The Cultural Apparatus. In a 1955 letter to his publisher Mills enthusiastically said of the book “I'm into it.” He predicted, optimistically, that unlike his other books, this book would be easy, a natural for him that “writing it will not involve the anguish that White Collar and Elites have provided.” By 1959, however, Mills had to admit that this optimism was premature. In “The Personal Note to the Reader” he confessed that “I've never had so much trouble writing a book as I have with this one, and I’ve never taken so much pain with the writing of it as I’ve taken to heart the criticism of being repetitious, verbose and prone to jargon.” 79 Mills never completed the project. By the late 1950's he became preoccupied with the political issues of “war and peace” and American foreign policy in Cuba, the latter in particular. His health was poor as a result of a heart attack he suffered in December of 1959 on the eve of a televised debate with an American advisor in Latin America, A.A. Berle. He became embroiled in what he understood as necessary public work from within the media and he remained adamant about the personal significance of The Cultural Apparatus in 1959.