The Crucifixion

Abstract

This article examines the connection between Black American art, religion, and aesthetics during the Harlem Renaissance era. This article will explore the ways in which Aaron Douglas’ painting, The Crucifixion, communicates the religious and aesthetic values of Black America during the Harlem Renaissance era. I will begin by providing a broad contextual framework which addresses race and representation, the Harlem Renaissance, and conceptions of Jesus within Black American culture. From this backdrop the article locates Aaron Douglas by discussing his influences, inspiration, and artistic production. The final section will focus upon The Crucifixion and the ways in which it makes use of what I have termed “theo-aesthetic content” to visually communicate Black American religious aesthetics and cultural identity.