Abstract
What if we took the phrase la démocratie à venir at its word? In other words, what if we understood ‘democracy to come’ as the abrupt arrival of the people, as the instant in which a crowd floods in with overwhelming force? Reading Jacques Derrida alongside Elias Canetti's Crowds and Power, ‘The Crowd’ answers these questions by considering Derrida's ‘democracy to come’ in terms of political figuration rather than representation. Through the tropes of touch, masking and flight, this paper explores the play of distances that occurs between members in the crowd and in turn suggests an inextricable link between democratic thought, on the one hand, and, on the other, the metamorphoses that the crowd precipitates. Between fluidity and paralysis, individual and collective, this paper grapples with a surprising aporia—that democracy is the aristocratic secret of the crowd. ‘The Crowd’ was originally presented as ‘La Foule’ at the 2002 Cerisy Conference, La démocratie à venir (Autour de Jacques Derrida), which explored the political significance of Derrida's work.
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