Abstract
Abstract This article reassesses the art of sculptor Baron Konstantin Rausch von Traubenberg, one of many Russian émigré artists who fell into oblivion during the Soviet era. He worked in a variety of materials and genres, created portraits of his contemporaries, equestrian figurines, historical and genre groups, models for the firm of Fabergé & Co., and commissions for the Imperial Porcelain Factory in St. Petersburg. His multifaceted career, launched already before the revolution, constitutes a significant phenomenon when examined in conjunction with his subsequent work abroad.
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