Abstract
This paper focuses on the works of ethnomusicologist and composer, Akin Euba. It examines how Euba projects African identity through his concept of African pianism. The paper explains that the concept provides the background for understanding how the European piano could be used to imitate traditional African musical principles and instruments in works that synthesize African and European elements. The research relies on published literature, the views of Euba, as well as analysis of selected works, mainly, his 'Scenes for Traditional Life'. The study draws attention to the pioneering approach towards expressing African identity in the world of Art Music as well as how Akin Euba’s innovative concept has influenced the younger generation of composers.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
