The Crab at the End of the World

Abstract

The Chinese Mitten Crab, a freshwater crab species originating from China, was accidentally introduced in Europe in the early 20th century when Western steamers, returning from China, emptied their ballast water tanks in German harbours. From there, in the course of the last century, the species gradually colonized the coastlines of the North Sea and the Atlantic southwards, but also much of the rest of the world. This visual essay is based upon material collected by Rotor for an installation at the 2018 Bruges Triennial. The narrative starts form the massive but scarcely known presence of the crab in the world-famed canals of the city of Bruges to tell the story of the species' amazing resilience and age-old adaptedness to anthropogenic environments. This is also a reconstruction of the Mitten Crab's unique travel patterns, partly the result of the species own migratory drive, but partly also following, unwittingly, the tendency of humans to travel ever further, ever faster. Like the exhibition, the essay explores the habits and motivations of an invasive species while deliberately suspending judgment. This is not to excuse the species of harming local biodiversity. But to recognize the fair share of responsibility we as humans bear in the present situation.