“The Country We Built Up”: Geocriticism, Rhodesian Places and the Nefarious Bush in John Eppel’s The Holy Innocents

Abstract

This article discusses John Eppel’s Bulawayo novel, The Holy Innocents, in order to see how space and place are constructed. By deploying geocriticism as a spatially oriented theory, the article shows how attention to literary geography reveals political insights into histories of race and Zimbabwean belonging. The city of Bulawayo and the literature it inspires provide a unique commentary on the cultural imagining of place. It is demonstrated that the suburb, as a locale in John Eppel’s writing, is a key unit of analysis in exploring the literary city. The political transition and cultural metamorphosis of Rhodesia into Zimbabwe are discussed through the prism of geography. Through recognising the power of space and the arguments about place Eppel makes, our understanding of Zimbabwean literary culture and its interactions with spatiality is developed.