The Counterpoint of Allusion in Fifteenth-Century Masses

Abstract

The Counterpoint of Allusion in Fifteenth-Century Masses Author(s): Christopher A. Reynolds Source: Journal of the American Musicological Society, Vol. 45, No. 2 (Summer, 1992), pp. 228- Published by: University of California Press on behalf of the American Musicological Society Stable URL: http://www.jstor.org/stable/831448 Accessed: 14-01-2016 08:28 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. American Musicological Society and University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the American Musicological Society. http://www.jstor.org This content downloaded from 128.120.194.194 on Thu, 14 Jan 2016 08:28:02 UTC All use subject to JSTOR Terms and Conditions