The Cosmic Viewpoint

Abstract

Seneca’s Natural Questions is an eight‐book disquisition on the nature of meteorological phenomena, many of which had been treated in the earlier Greco‐Roman meteorological tradition; but what notoriously sets Seneca’s writing apart is his insertion of extended moralizing sections within his technical discourse. How, if at all, are these outbursts against the luxury and vice that are apparently rampant in Seneca’s first century CE Rome to be reconciled with his main meteorological agenda? In grappling with this familiar question, The Cosmic Viewpoint: A Study of Seneca’s Natural Questions argues that Seneca is no blinkered or arid meteorological investigator, but a creative explorer into nature’s workings who offers a highly idiosyncratic blend of physico-moral investigation in and across his eight books. More importantly, however, The Cosmic Viewpoint stresses the literary qualities and complexities that are essential to Seneca’s literary art of science: his technical enquiries initiate a form of engagement with nature which distances the reader from the ordinary involvements and fragmentations of everyday life, instead centring our existence in the cosmic whole. From a figurative standpoint, Seneca’s meteorological theme raises our gaze from a terrestrial level of existence to a higher, more intuitive plane where literal vision gives way to conjecture and intuition: in striving to understand meteorological phenomena, we progress in an elevating direction – a conceptual climb that renders the Natural Questions no mere store of technical learning, but a work that actively promotes a change of perspective in its readership: the cosmic viewpoint.