The cordial maid: representations of servants in Brazilian adaptations of Eça de Queirós

Abstract

ABSTRACTThis article considers the ways in which recent Brazilian film and television adaptations of the works of Eça de Queirós portray relationships between servants and their employers. I argue that the adaptations exaggerate certain connections and forge altogether new ones in order to create or emphasise a sense of kinship between people of different social strata.This newfound familiarity between employer and employee, in relationships that recall Gilberto Freyre’s and Sérgio Buarque de Holanda’s theorisation on Brazilian society, breaks some of the fixed hierarchies presented in Eça’s work. Such a change, paradoxically, grants working-class characters much more air time than their original creator would have envisioned, while at the same time emptying the social commentary that derived from the rigid power structures found in the novels. In this context, this article argues that the blurring of class lines in these films and series is quintessentially Brazilian in its use of emotional connection to mask oppression and create a false sense of equality.