The contribution of Ukrainian composers to the development of youth music in the twentieth century (on the example of the analysis of the piano concert of V.Kosenko)

Abstract

The purpose of the work. Identify the stylistic principles of V. Kosenko's Piano Concerto fortheir inscription in the paradigm of the Ukrainian musical culture of the twentieth century and asthe national embodiment of its youth component. Methodology. At the heart of the study is anintonational approach, in which the style-comparative, hermeneutical, culturological methods andusage are highlighted, which makes it possible to assess Kosenko's authorial identity as a productof the national cultural thought of the past. Scientific novelty. For the first time in the analysis, V.Kosenko's Piano Concerto is presented in correlation with the works born of the youth expansion(the "new youth" of the Sixties era) of the 1920s, whose rigid atradiationalism gives birth in anational thought a turn from opera and vocal-choral classics of Ukrainian music to demonstrativeinstrumentalism , but in unity with appeasement to the stylistic synthesis of romantic tradition andsymbolist manifestations of modernity. Conclusion. The genre of the piano concerto, especially inhis youthful rebellion in the work of V.Kosenko, proclaims a new stage in the development of theUkrainian musical culture of the 20th century in the direction of its instrumental channel, thetraditionalist inclination of which we find in Kosenka in the form of a demonstration of theaffirmation of the Lisianian concert, but at the same time as the tendencies To overcome Lisstvo'ssame orchestral dramatization and with an appeal to the early bond issue, which is also found inJuvenile Concerts by F. Chopin; The latter's music occupied a great place both in the guideline ofV.Kosenko's personality in person and in the domain of pioneering searches of Ukrainian andRussian (V. Barvinsky, L. Revutsky, O. Skryabin, S. Rachmaninov) artists of the twentieth century asa whole.Key words: genre of concert, style of Ukrainian music of the 20th century, symbolism,romanticism, traditionalism – atraditionalism.