Abstract
Seattle's Alaska-Yukon-Pacific Exposition and International Potlatch provide windows to the construction of a “cosmopolitan” urban ethos in the early twentieth century. Noting the ways this idea embraced Japan and the city's Japanese residents while serving white elites pursuit of urban and commercial advantage, the essay also comments on the space between cosmopolitan ideology and the persistence of anti-Japanese prejudice.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
