Abstract
The film Somewhere in Europe articulates a vision of the political future of post-World War II Europe. War orphans are depicted as the agents of the continent’s reconstruction. The Marxism embodied in the film challenges the Soviet-style Communism soon to be imposed in Eastern Europe, and stylistically Somewhere in Europe distances itself from Socialist Realism. It assumes the role of a foundational film for the recently rebuilt Hungarian film industry and aims to provide the emerging generation of Hungarian filmmakers with an inventory of the major cinematic styles of the first half of the century.
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