Abstract

Based on my experiences and observations as a dancer, performer, researcher and culture manager, this article aims to shine a light on the performing-arts field, particularly on contemporary dance, in Turkey in the twenty-first century. Given the current political, social and economic shifts in Turkey, which have doubtless affected artistic practice and structures, it is important to draw attention to and explore the emerging players in the field of dance – dance institutions, producers, artists and audience. In addition, it is necessary to create awareness about the new generation's efforts to develop the field in relation to new organizational and partnership structures, shifting from a vertical hierarchy to autonomous and collective working models.

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