Abstract
It is generally agreed that the artistic world of eighteenth-century Brazil was dominated by the sculptor/architect, Antônio Francisco Lisboa—“O Aleijadinho” (“the little cripple”)—who has been called one of the most important artists ever to develop in Latin America. The peculiar circumstances of his life, combined with his obvious artistic genius, have resulted in considerable scholarly interest and study. The annotated bibliography that brought Aleijadinho scholarship from 1940 through 1973, in combination with the earlier bibliographies of Martins and Smith-Wilder, provides a relatively complete chronicling of works dealing exclusively with A. F. Lisboa.
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