Abstract
AbstractIn post-apartheid popular culture, there is a tension between the persistence of ‘race’ as a structural category of difference, and its transformation in the lives of young South Africans. In this paper, through the examination of case-studies, I explore how popular music may allow for the mediation of this tension. Drawing on Heidegger's notion of an ‘equipmental whole’ to conceptualise ‘race’, I discuss the specific ways in which individuals may come to an awareness of the potential fluidity of racial identities, and the role of music-listening practices in this process. I argue that reflecting on articulations between music and racial categories allowed listeners to critique understandings of ‘race’ underpinning post-apartheid political discourse. Such a critique enabled listeners either instrumentally to affirm a reconfigured understanding of a racial identity, or to reject ‘race’ as a meaningful category of difference altogether.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
