The Conceptual Cosmology of Paul Virilio

Abstract

Virilio constructs concepts as mental images for disturbing conventional, commonsensical views of world events but with the added visual warp of a life lived at the speed of cinema, video, light itself. It is not, then, a criticism (nor, for that matter, an unqualified recommendation) to say that reading Virilio will probably leave one feeling mentally disturbed, usually compounded by a bad case of vertigo, since speed is not only the subject but the style of Virilio (helping to account for a dozen books in as many years). In a typical Virilio sentence, which often elongates into a full paragraph, the concepts can spew out like the detritus of a Mir supply-ship. Many get recycled in later books. Some, benefiting from refinement and new empirical settings, stand out like polished gems. But almost all of them provide radically different takes on the social implications of new technological forces, liberating their analysis from the customary academic dullness and expert narrowness.