The concentration and origins of carboxylic acid groups in oil paint.

Lambert Baij,Piet D Iedema,Joen J Hermans,Louise Chassouant,Katrien Keune

doi:10.1039/c9ra06776k

Abstract

Although the concentration of carboxylic acid (COOH) groups is crucial to understand oil paint chemistry, analytical challenges hindered COOH quantification in complex polymerised oil samples thus far. The concentration of COOH groups is important in understanding oil paint degradation because it drives the breakdown of reactive inorganic pigments to dissolve in the oil network and form metal carboxylates. The metal ions in such an ionomeric polymer network can exchange with saturated fatty acids to form crystalline metal soaps (metal complexes of saturated fatty acids), leading to serious problems in many paintings worldwide. We developed two methods based on ATR-FTIR spectroscopy to accurately estimate the COOH concentration in artificially aged oil paint models. Using tailored model systems composed of linseed oil, ZnO and inert filler pigments, these dried oil paints were found to contain one COOH group per triacylglycerol unit. Model systems based on a mixture of long chain alcohols showed that the calculated COOH concentration originates from side chain autoxidation at low relative humidity (RH). The influence of increasing RH and ZnO concentration on COOH formation was studied and high relative humidity conditions were shown to promote the formation of COOH groups. No significant ester hydrolysis was found under the conditions studied. Our results show the potential of quantitative analysis of oil paint model systems for aiding careful (re)evaluation of conservation strategies.

Highlights

The degradation of oil paintings manifests itself by visible and mechanical paint alterations such as brittleness, loss of opacity, formation of protrusions, and delamination of paint layers.[1]
Because acid groups in polymerised Linseed oil (LO) can form according to two mechanisms: (1) hydrolysis of ester bonds and (2) autoxidation of side chains double bonds, we investigate which mechanism of COOH group formation dominates
Having established that autoxidation is dominant at low relative humidity (RH), we investigated high RH conditions and increasing ZnO concentrations because these factors likely promote ester hydrolysis

Summary

Introduction

The degradation of oil paintings manifests itself by visible and mechanical paint alterations such as brittleness, loss of opacity, formation of protrusions, and delamination of paint layers.[1]. Thorough understanding of the underlying chemical and physical mechanisms causing paint degradation started only recently.[2,3,4,5,6] The chemical composition of a mature oil paint binder has proved to play an essential role in several of these degradation phenomena. Understanding the driving forces behind degradation processes will provide useful knowledge for the preservation and conservation of oil paintings. We have shown previously that in a mature oil paint binding medium, carboxylic acid (COOH) groups o en bind to metal ions (originating from pigments or driers) and form an ionomeric polymer network.[2,3] The ionomeric binding medium, like

Objectives

Methods

Results

Conclusion