Abstract
Abstract Some studies of art have the power to take the reader down a strange and unfamiliar road from which, on looking back, the whole history of art is seen from a new and revealing point of view. Others are merely useful compilations of information about a particular subject which are good to have if no other studies exist, but otherwise not note~orthy. An example of the former is William M. Ivins, Jr's, Prints and Visual Communication. An example of the latter is, I regret to say, Dawn Ades' Photomontage.
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