Abstract
ABSTRACT This paper provides a roadmap for the application of dialectics to the study of liveness. The roadmap incorporates the utterance chain from relational dialectics theory to describe live performance in terms of the discursive interplay it generates which gives it meaning. As such, this paper addresses a stated need in the literature on liveness for theoretical development and refinement. The paper also positions itself in approaches to liveness that emphasize relational and communicative elements of performance. It is presented as a case study of Bob Dylan’s Rough and Rowdy Ways World-Wide Tour where he surprised audiences by performing Grateful Dead material.
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