Abstract
S’appuyant sur un corpus constitue de differents outils de communication politique, cet article vise a retracer la dialectique du noir et de la transparence dans la campagne electorale legislative de 2012 du Parti pirate francais. L’hypothese qui y est presentee porte sur la difference entre le discours visuel et le discours verbal, difference qui pourrait reveler une contradiction performative entre l’enonciation visuelle et l’enonciation verbale. La finalite est de degager quelques enjeux socio-politiques de la communication du Parti pirate francais, ainsi que de resituer un monde, celui du « crypto-anarchisme ».
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