The clarinet: How blowing pressure, lip force, lip position and reed “hardness” affect pitch, sound level, and spectrum

Abstract

Using an automated clarinet playing system, the frequency f, sound level L, and spectral characteristics are measured as functions of blowing pressure P and the force F applied by the mechanical lip at different places on the reed. The playing regime on the (P,F) plane lies below an extinction line F(P) with a negative slope of a few square centimeters and above a pressure threshold with a more negative slope. Lower values of F and P can produce squeaks. Over much of the playing regime, lines of equal frequency have negative slope. This is qualitatively consistent with passive reed behavior: Increasing F or P gradually closes the reed, reducing its equivalent acoustic compliance, which increases the frequency of the peaks of the parallel impedance of bore and reed. High P and low F produce the highest sound levels and stronger higher harmonics. At low P, sound level can be increased at constant frequency by increasing P while simultaneously decreasing F. At high P, where lines of equal f and of equal L are nearly parallel, this compensation is less effective. Applying F further from the mouthpiece tip moves the playing regime to higher F and P, as does a stiffer reed.