Abstract
The author of the essay titled «The Cinematographic Representation of Social Frames» analyzes images in the context of representing physical and ontological aspects of reality. He considers Albanian Communist Cinema (1952–1991) taking into consideration the viewer’s perspective in which cinema is treated as a metaphorical place when people learn to read images and can think through images. The author also focuses on following issues: processes of individualization, representation and the problematisation of subjectivity.
Highlights
In the social sciences today we are getting used to focusing our scholarly attention on different aspects of cinema, such as the literary perspective, theory of art, politics etc
Inside the sociological domain we often take into consideration archives, interviews, statistics and field research, while images, paintings, photos, documentaries and films are perceived as superficial and less relevant to social understanding
Dealing with images is a matter of genealogy and archeology, and a matter for philosophical and socio-historical reflection
Summary
In the social sciences today we are getting used to focusing our scholarly attention on different aspects of cinema, such as the literary perspective, theory of art, politics etc.
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