Abstract
AcknowledgementsPreface by Thomas SchatzIntroductionPart One: Author, Brand, Guerrilla1. The Dialectical Signature: Soderbergh as Classical Auteur2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur3. Corporate Revolutionary: Soderbergh as Guerrilla AuteurPart Two: History, Memory, Text4. Searching Low and High: The Limey and the Schizophrenic Detective5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective6. The (Bl)end of History: The Good German and the Intertextual DetectivePart Three: Crime, Capital, Globalisation7. Genre and Capital: New Crime Wave in the 1990s8. The Ethical Heist: Competing Modes of Capital in the Ocean's Trilogy9. Trafficking Social Change: The Global Social Problem Film in the 2000sConclusionFilmographyBibliographyIndex
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