Abstract
This paper considers the Clerigos ensemble in Porto—constituted by the Church, the Hospital, and its iconic Tower—as a powerful Baroque instrument. First, in addition to the ordinary chimes that commanded daily activities in the town, the architectonic and symbolic value of the Tower is underscored by the music produced by its impressive bells. Second, we have the actual heart of the instrument, the Church-Oratory: an acoustic box resulting from the oval plan of the nave and the corresponding dome, with two organs in its head (the apse), symmetrically placed with respect to the main longitudinal axis of the building. I will stress that this kind of space, brought to Portugal by architect Nicolau Nasoni in 1731, conveyed the idea of an Oratory and the musical performance associated with it, and that, significantly, the Oratorians were linked to the chosen plan for Clerigos.
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