Abstract
Abstract This chapter shows how the material arrangements and the chronometrics of Keble’s bestselling devotional volume are parallel features. The consolations of The Christian Year were such that they calibrated readers not only to the long time of the liturgical year but also synchronized them to clock time. While many contemporary readers lauded The Christian Year for its soothing properties, its long Victorian print afterlife is indicative of how devotion was being redefined as that century went on as a set of reading practices premised upon distraction and divided time. The eventual work of The Christian Year, in other words, was to console its readers according to a new realization of the replicable, interval time of modernity.
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