Abstract

Although the Ruthwell Cross has universally been regarded as one of the most outstanding achievements of early Northumbrian civilization, the meaning of its iconographic programme remains the subject of considerable debate. Central to most interpretations is the largest panel on the Cross, one depicting Christ and the beasts (see pl. Ia). The correct identification of this scene has long been regarded as crucial for achieving an understanding of the iconographic programme as a whole. While this scene must be accepted as the key to the programme, no entirely satisfactory explanation of its meaning has hitherto been offered. This study will draw attention to textual and visual evidence which provides a new basis for understanding this panel and its relationship to the remaining scenes.

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