Abstract
Madness, as a character, is presented as such by Erasmus of Rotterdam in his The Praise of Folly: “It is I, Folly, who speaks.” When it appears in the middle of psychoanalysis, the usual instruments of exploration must be modified. This implies bringing into play an initial representation of events that have never been inscribed either in the life history or in the Unconscious, which may be repressed or forgotten later on. The purpose of this process is to put time in motion again. In this framework, the analogy between the action of theatre and the action of analysis leads me to describe the effects on the analyst when this somewhat unseemly character enters the scene, compelling the therapist to recognize the share he takes in its evocation.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
