Abstract
The development of modern sculpture seems to be moving towards abstract expression, and then this abstraction is not only reflected in the form of sculpture, but in the inner spirit of sculpture, that is, the abstraction of the theme. Since the Renaissance, European creativity in sculpture has been extremely poor, and it was not until Auguste Rodin that he opened up new themes and materials for sculpture. It attempts to analyze the change of modern sculpture from the creative methods of three sculptors including Rodin.
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