Abstract
This thesis concentrates on the analysis of Ian McEwan’s controversical work The Cement Garden. By referring to Walter Benjamin’s theory of allegory, especially his illustrations of fragmentation and melancholy, this thesis will analyze the fragmentary images of ruins, death and corpse and the fragmentary time presented in it; meanwhile, it will explore the alienated human relationship, the identity crises and the barren spiritual state of modern people under the melancholic gaze. Through the analysis, the author elucidates that that The Cement Garden is not a “revolting novel ” as some critics claimed, but can be called an allegory of modernity in the modern cultural context.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
