Abstract

In July 1835, a sometime clerk, lottery agent, and grocer from Connecticut ventured into the entertainment business. He did so by exhibiting a blind, withered, and partially paralyzed African-American women, first in New York City, and then, over the subsequent eight months, throughout New York State and New England. The exhibitor was Phinneas T. Barnum, soon to become the country's foremost purveyor of commodified culture. The elderly woman he put on display was Joice Heth, a Kentucky slave whom Barnum advertised as "The Greatest Natural and National Curiosity in the World": ostensibly a deeply religious 161-year-old wonder who had served as George Washington's nurse in his early years of life. At almost every stop on the tour's itinerary, throngs of visitors paid to hear, examine, question, prod, and converse with Heth. This touring exhibit, the relationships among its key participants (chiefly Barnum and Heth, but also Barnum's confederate Levi Lyman), and its place in nineteenth-century American culture receive Benjamin Reiss's detailed attention in The Showman and the Slave.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.